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How to Break the Great Chinese Wall in 3 parts

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2008 Performance documentation - video and photography Produced for U-TURN, Quadrennial for Contemporary Art, Copenhagen Lyrics and vocals: Lilibeth Cuenca Rasmussen Music: Anders Christophersen Costumes: Lise Klitten Photo and camera: Andreas Rosforth Editing: Niels Plenge Video: 4:20 minutes Installation and live performance: 2008: U –TURN, Quadrennial for Contemporary Art, Copenhagen 2009: Incarnational Aethetics, NY Center for Art and Media Studies, New York City Praxis: Art in Times of Uncertainty, Biennale of Contemporary Art, State Museum of Contemporary Art, Thessaloniki (excl. part 3) Part 1: Interpretations of Marina Abramović and Ulay Selected performances from 1976 - 1988 Performance with Thomas Bentin and Kasper Ravnhøj: 30 minutes Video: 9:18 minutes The weighty wall of art history constitutes a challenge for a new generation of artists. Inevitably, an artist has to clear the relation to his/her precedents and artistic relatives. Cuenca Rasmussen reenacts and deconstructs iconic works and personas of performance art. MARINA ABRAMOVIC (1946, BELGRADE) ULAY, FRANK UWE LAYSIEPEN (1943, SOLINGEN) Reenactment list: RELATION IN TIME, 1977 (1 hour in public, total duration 17 hours) NIGHT SEA CROSSING, series, 1981-1987 (duration opening hours of a museum 10-5 pm minimum 1 day maximum 16 days) 6WF, 1981 (6 hours) GO, STOP, BACK STOP, 1979 (90 minutes) MONDUS VIVENDI, 1981 (96 minutes) AAA-AAA, 1978 (15 minutes) LIGHT-DARK, 1977 (20 minutes) CHARGED SPACE, 1978 (32 minutes) INTERRUPTION IN SPACE, 1977 (46 minutes) REST ENERGY, 1980 (4’10 minutes) (The time in the brackets indicates the original duration of each performance) Part 2: Never Mind Pollock Performance: 40-50 minutes ORLAN (1947, SAINT EITIENNE) S´HABILLER DE SA PROPRE NUDITÈ, 1976-77 & TENTATIVE POUR SORTIR DU CADRE, 1965 YAYOI KUSAMA (1929 MATSUMOTO, NAGANO) POLKA DOT INSTALLATION & HAPPENING FASHION SHOW, 1968 LILIBETH CUENCA RASMUSSEN (1970 MANILA) THE ARTIST´S SONG 2, 2008 NIKI DE SAINT PHALLE (1930, NEUILLY-SUR-SEINE - 2002, SAN DIEGO) SHOOTING PAINTINGS, 1961-63 HELENA ALMEIDA (1934 LISBON) PINTURA HABITADA, 1975 SHIGEKO KUBOTA (1937 NIGATA) VAGINA PAINTING, CINEMATEQUE, NEW YORK CITY, 1965 ANA MENDIETA (1948 HAVANA–1985 NEW YORK CITY) BODY TRACKS, UNIVERSITY OF IOWA, USA, 1974 JANINE ANTONI (1964, FREEPORT, BAHAMAS) LOVING CARE, 1992-96 LYNDA BENGLIS (1941, LAKE CHARLES, L.A.) BLATT, 1968-70 CAROLEE SCHNEMANN (1939, FOX CHANGE, PENNSYLVANIA) BODY COLLAGE, 1967 YOKO ONO (1933, TOKYO) PAINTING TO BE STEPPED ON & SMOKE PAINTING, 1961 Performance: 2008: Perform History, U–TURN, Quadrennial for Contemporary Art, Copenhagen, Århus Kunstbygning, Århus 2009: re.act.feminism, Akademie der Künste, Berlin, Once more with Feeling, Tate Modern, London Part 3: Make a piece of Art Artist talk - Performance Interview of Lilibeth Cuenca Rasmussen by Toke Lykkeberg Duration of performance and video: 50 minutes YOKO ONO (1933, TOKYO) JOHN LENNON (1940, LIVERPOOL – 1980, NEW YORK CITY) BED-IN: MAY 26TH 1969, ROOM 1742 QUEEN ELIZABETH HOTEL, TORONTO Performance: 2009: re.act.feminism, Akademie der Künste, Berlin Exhibitions (the video): 2009: Power to the Brand, Museum of Contemporary Art, Banja Luka, Bosnia 2010: Heidelberger Kunstverein, Heidelberg

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